Just now, I woke up thinking about things, in particular an Agatha Christie play I read once called The Hollow. I had a big fat collection of her plays that I read just as voraciously as any of her novels during my Agatha Christie phase. That phase began when at twelve years old I decided to volunteer in a nursing home reading to old people, and the elderly woman I got wanted Agatha Christie. I only went a couple of times and then just stopped showing up, partly because the old lady kept falling asleep and I didn't know what to do when that happened, partly because I had to get a tuberculosis test to work there and I was scared of the little three-pronged needles.
Anyway, the Christie stuck and I read them all. I used to stand in my room and read the plays aloud to myself, practicing the voices. They were just the sort of plays I liked, filled with a quiet sort of calm but lots of suspense, lots of menace trembling underneath the surface.
All this makes me remember that when I was little I wanted to be an actress as well as a writer although I've not got remotely the right sort of personality or any sort of natural talent. Some elderly eccentric relative left a box of old clothes that we used for dress up - I wrote the plays and my siblings and friends were all recruited in. For years, whenever I saw my cousin Martha we'd closet ourselves in my room or hers and come out a few hours later to cast our siblings. The Kidnapping of Princess Caroline was one of my favourites, from the slightly more mature period of our writing (age eleven I probably was) but Beth and Amy (the official title, we always called it 'Aunt Josephine' after the most memorable character, an evil Aunt who suddenly turned kindly and handed out candy. Obviously one of us had been reading Little Women...) There was a stage though, this was very young, when I thought my destiny in life was to write and act in plays. One of my worst disappointments was when I'd written my masterpiece, a musical based on "The Twelve Dancing Princesses", complete with songs, and cast from various children I managed to seek out in my homeschooling days, and my parents announced that we were moving to Washington State for a year and the whole production fell through.
I think what I'm trying to say is that going to Interlochen really does pigeon-hole you for a while, especially if you're someone like me who's not particularly extroverted and not terribly confident. There was no way I could have pretended to be an actress at Interlochen - at Interlochen you can only do an art if you're very, very good, or think you are. I'd tried to learn violin lots of times as a child but moving around, bad teachers, and the fact that I didn't practice meant I'd never gotten very far. Interlochen meant I didn't try to get any further.
I love writing and it's been the most important thing to me for as long as I can remember. It's all I've ever wanted to do, and in a way desire doesn't actually come into it because it's something I need. Whatever I do, and maybe this is a little bit sad, I'm happiest when I'm writing, and when I go long stages without it I feel the loss, it's as if something's missing, as if, however busy I am, nothing quite matches up. As I'm coming to the end of the degree, a sort of relief is setting in. Even though I have to go full-time at work, my hours at home will be my own for the first time since in I was homeschooled in fifth and sixth grade and did nothing for two years but read five books a day and write and write and write. I can't wait to throw myself back into my writing.
Moreover, I want my hobbies back. I loved Interlochen, really I did, but if you're in any way dedicated it knocks the hobbies out of you. It's only okay to do things there if you're already the best at them. I want to learn the violin again, perhaps move into a village with a tiny theatrical society that wants to do Agatha Christie. I want to, this has always been a dream of mine, learn to read Egyptian hieroglyphs so I can read all of the tablets in the British museum without looking at the plaques.
And I want to write whatever I like. I want all of that freedom.